Sister Carrie
Theodore Dreiser
1900
With the world’s most famous Carrie (Bradshaw) coming to theaters in “Sex and the City 2″ today, let’s revisit another Carrie: Caroline “Sister Carrie” Meeber.
This book tells a story that is, in some ways, very familiar: country girl Carrie moves to the big city, becomes disillusioned with the hard work and low wages she earns at a shoe factory, and falls in with a wealthy man who is taken with her beauty. That’s how Carrie ends up living (in sin!) in Chicago with Charles Drouet. But although Carrie has the fine things and clothing she has always dreamed of, it’s not enough. She soon begins an affair with an even wealthier man, setting off a chain of events that propel the novel toward a tragic end.
Carrie is curiously silent on her own motivations–she seems to want to socially and economically climb simply because that is what people do. And certainly the lifestyle of glamorous, wealthy Chicagoans, especially in contrast to the egregious poverty of factory workers, must have been a powerful motivator. Still, there is a sense Carrie’s desires are somewhat beyond her control: that when confronted with such consumption she can’t help but want to get more and more–whatever the cost (hint: it’s her respectability!). A professor of mine suggested that Carrie herself isn’t the heroine of this novel; the protagonist is capitalistic desire itself, “carried” along by Ms. Meeber.
“Sex and the City” has been attacked by critics for its wildly conspicuous consumption, and I’ve always wondered if the name of the main character is with a wink and a nod to this book. With changes in morality over the last 100 years I don’t think it’d be meant to condemn the SATC characters’ actions; instead, it’d serve as a subtle reminder to keep the values we carry in check. Carrie Bradshaw has said that the most important relationship you have is with yourself. Carrie Meeber’s story cautions us to make sure that self is based on who we are, not what we have.
